คำอธิบาย
Midas Pro X-CC-IP Digital Audio Mixing System (Install Package)
เครื่องผสมสัญญาณเสียงแบบดิจิตอล Midas Pro X-CC-IP สำหรับงานติดตั้ง (Install Package) Live Digital Console Control Centre with 168 Input Channels, 99 Mix Buses and 96 kHz Sample Rate, 29 x 100mm Midas Pro Faders, 1000 Scene Automation System
The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.
HyperMAC and AES50 audio networking technologies allow thePRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.
Features:
- Live performance digital console control centre with up to 168 simultaneous inputs
- 99 time-aligned and phase-coherent mix buses
- HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
- HyperMAC router with 192 bidirectional channels over copper and optical fibre
- Provides dual redundant snake connection to the NEUTRON Audio System Engine
- Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
- 10 VCA (variable control association) and 8 POPulation groups
- Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
- Up to 24 simultaneous internal multi-channel effects
- 29 MIDAS PRO motorised 100 mm faders
- 2 daylight viewable 15” full colour TFT display screens
- Fully interpolated touch sensitive controls
- Optional wireless remote control with MIDAS MIXTENDER App for iPad*
- Three bay auto-ranging universal switch-mode power supply with N+1 redundancy
- 3-Year Warranty Program*
- Designed and engineered in the U.K.
Specifications
Sampling rate |
96kHz |
Latency delay |
<2 ms (Input to Master output with no latency compensation) |
Dynamic range |
110 dB, 22 Hz to 22 kHz |
Maximum voltage gain |
80 dB, Inputs to Subgroups and Masters
86 dB, Inputs to Aux and Matrix |
Crosstalk |
-100 dB physically adjacent input channels |
Fader/pan cut off |
-100 dB |
Frequency Response |
0 dB to -1.0 dB, 20 Hz to 20 kHz |
Gain Error @ 1kHz |
±1.0 dB |
Input CMRR
0 dB gain |
-80 dB |
+40 dB gain |
-90 dB |
Distortion @ 0 dBu
0 dB gain |
0.01% |
+40 dB gain |
0.03% |
Distortion @ +20 dBu
0 dB gain |
0.03% |
+40 dB gain |
0.03% |
Noise Floor
0 dB gain |
-89 dBu, 22 Hz to 22 kHz (unweighted) |
+40 dB gain |
-87 dBu, 22 Hz to 22 kHz (unweighted) |
Equivalent Input Noise (EIN)
0 dB gain |
-89 dBu, 22 Hz to 22 kHz (unweighted) |
+40 dB gain |
-127 dBu, 22 Hz to 22 kHz (unweighted) |
Dynamic Range
0 dB gain |
110 dB, 22 Hz to 22 kHz (unweighted) |
+40 dB gain |
108 dB, 22 Hz to 22 kHz (unweighted) |
Analogue Audio System Inputs
Mic/Line Inputs |
Quantity |
8 |
Connector |
3-pin XLR balanced mic/line input with +48 V phantom power |
A/D converter |
24 bit, 96 kHz with 128 x oversampling |
Gain |
-25 dB to +60 dB |
Maximum input level |
+26 dBu |
Input impedance |
10 kOhm |
Talk Mic Input |
Quantity |
1 |
Connector |
3-pin XLR balanced mic input with +48 V phantom power |
Mic gain |
+15 dB to +60 dB |
Maximum input level |
+6 dBu |
Input impedance |
600 Ohm |
Talk Back Input |
Quantity |
1 |
Connector |
3-pin XLR balanced line input |
Maximum input level |
+21 dBu |
Input impedance |
10 kOhm |
Analogue Audio System Outputs
Line Outputs |
Quantity |
8 |
Connector |
3-pin XLR balanced line output |
D/A converter |
24 bit, 96 kHz with 128 x oversampling |
Maximum signal level |
+21 dBu |
Monitor Outputs |
Quantity |
|
Connector |
3-pin XLR balanced line output |
Maximum signal level |
+21 dBu |
Assignable Outputs |
Quantity |
2 |
Connector |
3-pin XLR balanced line output |
Maximum signal level |
+21 dBu |
Talk Output |
Quantity |
1 |
Connector |
3-pin XLR balanced line output |
Maximum signal level |
+21 dBu |
Headphone Output |
Quantity |
2 |
Connector |
¼” Jack (stereo) |
Maximum signal level |
+21 dBu |
Digital Audio System Inputs and Outputs
AES3 Inputs |
Quantity |
4 |
Format |
Conforms to AES3-2009 (2 channels of digital audio) |
Connector |
3-pin XLR |
Sample rate |
32 kHz to 96 kHz |
Bypass |
Sample rate converter bypass |
AES3 Outputs |
Quantity |
4 |
Format |
Conforms to AES3-2009 (2 channels of digital audio) |
Connector |
3-pin XLR |
Sample rate |
48 kHz, 96 kHz or auto-tracking to inputs |
Bypass |
Sample rate converter bypass |
Word length |
16, 20 or 24 bit |
AES50 Audio |
Quantity |
3 |
Format |
Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) |
Connector |
Neutrik etherCON with status LEDs |
Redundancy |
N+1 cable redundancy (X & Y) |
Snake (Copper) |
Quantity |
2 |
Format |
KLARK TEKNIK HyperMAC (192 channels of bidirectional digital audio @ 96 kHz) |
Connector |
Neutrik etherCON with status LEDs |
Redundancy |
Dual cable redundancy (X & Y) |
Snake (Fibre) |
Quantity |
2 |
Format |
KLARK TEKNIK HyperMAC (192 channels of bidirectional digital audio @ 96 kHz) |
Connector |
Neutrik opticalCON DUO |
Transmission |
1.25 Gb/s 1000 base-SX physical layer on 50/125 multimode fi bre |
Redundancy |
Dual optical fibre redundancy (X & Y) |
Ethernet Control Data |
Quantity |
2 |
Connector |
Neutrik etherCON with status LEDs |
Redundancy |
Dual cable redundancy (1 & 2) |
Word Clock Input |
Quantity |
1 |
Format |
TTL level, 96 kHz square wave |
Connector |
75 Ohm BNC |
Word Clock Output |
Quantity |
1 |
Format |
TTL level, 96 kHz square wave |
Connector |
75 Ohm BNC |
AES3 Sync Input |
Quantity |
1 |
Format |
Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) |
Connector |
3-pin XLR |
AES3 Sync Output |
Quantity |
1 |
Format |
Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) |
Connector |
3-pin XLR |
Output |
96 kHz Grade II reference clock |
Other Interfaces
External Ethernet Tunnel |
Quantity |
1 |
Connector |
Neutrik etherCON with status LEDs |
Screen Outputs |
Quantity |
2 |
Connector |
Analogue VGA |
KVM Inputs |
Quantity |
3 |
Connector |
Analogue VGA, USB keyboard & mouse |
USB Interface |
Quantity |
2 |
Format |
USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load |
Connector |
USB Type A |
MIDI Interface |
Quantity |
3 |
Format |
MIDI IN, MIDI OUT, MIDI THRU |
Connector |
5-pin DIN Displays |
Quantity |
2 |
Type |
15″ daylight-viewable colour TFT LCD screen |
Displays |
Quantity |
2 |
Type |
15″ daylight-viewable colour TFT LCD screen |
Power
Power Supplies |
Quantity |
3 |
Format |
PRO Series Power Supply Module (MKT-PSU-2) |
Connector |
IEC mains inlet |
Mains Input Voltage |
100 to 240 VAC, 50 to 60 Hz |
Redundancy |
N+1 power supply redundancy |
Power Consumption |
115 VAC |
2 PSUs – 1.8 A, 207 W
3 PSUs – 1.9 A, 219 W |
230 VAC |
2 PSUs – 0.8 A, 184 W
3 PSUs – 0.9 A, 207 W |
Physical
Dimensions |
1365 mm wide x 940 mm deep x 434 mm high (53.7″ x 37.0″ x 17.1″) |
Net weight |
120 kg (264 lbs) |
Operating temperature range |
+5°C to +40°C |
Storage temperature range |
-20°C to +60°C |