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ดิจิตอลมิกเซอร์ MIDAS PRO1 TP TOURING PACKAGE

MIDAS

เครื่องผสมสัญญาณเสียงแบบดิจิตอล Midas Pro1 TP สำหรับงานทัวร์ริ่ง งานคอนเสริต์ (Touring Package) พร้อมกล่องแร็ค Live Digital Console with 48 Input Channels, 24 MIDAS Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case

** Click ดูรายการโปรโมชั่น PRO1-IP Pack

404,000 ฿

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เครื่องผสมสัญญาณเสียงแบบดิจิตอล MIDAS PRO1/TP Digital Mixer (มีกล่องแร็ค)

เครื่องผสมสัญญาณเสียงแบบดิจิตอล Midas Pro1 TP สำหรับงานทัวร์ริ่ง งานคอนเสริต์ (Touring Package) พร้อมกล่องแร็ค Live Digital Console with 48 Input Channels, 24 MIDAS Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case

The PRO1 Live Audio System from Midas features a lightweight aluminum frame and field-replaceable power supply for Midas digital consoles. The PRO1 standalone console is easy to configure and operate. Engineers who are new to Midas digital consoles can relax, enjoy the PRO1’s sample-synchronous audio quality, and mix from well within their comfort zone. Engineers already familiar with Midas can just load their existing show file straight into the PRO1, regardless of which Midas digital console it was created on, and carry on working.

This standalone mixing system has 24 mic inputs on the rear of the frame. The 3 AES50 ports can be used to increase the mic input count up to 96 by connecting additional hardware. In addition to the PRO1’s 40 primary input channels, it also features 8 AUX returns, all of which feature 4-band Midas parametric EQ and insert points. These 8 AUX returns can be used as returns for the PRO1’s internal FX processors, or as additional mic channels if sufficient mic inputs are available on the I/O hardware.

A total of 48 input channels have free routing to 27 phase-coherent mix buses, which comprise 16 user-configurable buses (mixes, subgroups, or mix minus groups), and 8 matrix buses. The matrix buses source from inputs, as well as groups, and so can be used as 8 additional AUX mixes (monitor mix and FX sends) that provides a total of 24 mixes (plus L, R & Mono) for monitor mixing duties. All buses can be linked as stereo pairs (except the mono bus). As with all Midas digital consoles, the audio paths can be routed to multiple destinations and the console format can be reconfigured live on a scene-by-scene basis.

The high-resolution screen remains visible even in direct sunlight. The screen provides visual feedback for the entire system. Pressing the HOME key (just to the left of the assignable controls) instantly displays the console overview screen, which keeps all vital information (all metering, all fader positions, mutes, and solos) in view at all times.

This live audio system has up to 100 inputs and 102 outputs, with point-to-point routing anywhere within the network, which can then be patched and routed on a scene-by-scene basis via a powerful snapshot automation system. The PRO 1 system incorporates several special features to aid real-world integration with other important sub-systems.

Features:

  • Live performance digital console with up to 48 simultaneous input channels
  • 24 award-winning MIDAS microphone preamplifiers
  • 27 time-aligned and phase-coherent mix buses
  • AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate
  • Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
  • 8 VCA (Variable Control Association) and 6 POPulation groups
  • Up to 28 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
  • Up to 6 multi-channel digital signal processing effects engines
  • 18 MIDAS PRO motorised 100 mm faders
  • Daylight viewable 15” full colour TFT display screen
  • Fully interpolated touch sensitive controls
  • Optional wireless remote control with MIDAS MIXTENDER App for iPad*
  • Auto-ranging universal switch-mode power supply
  • 3-Year Warranty Program*
  • Designed and engineered in the U.K.

Specifications

System Specifications
Sampling frequency 96 kHz
Latency <2 ms input to master (no compensation)
Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis)
Maximum voltage gain 80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix
Crosstalk at 1 kHz -100 dB physically adjacent input channels
Crosstalk at 10 kHz -90 dB physically adjacent input channels
Fader/pan cut off at 1 kHz -100 dB
Fader/pan cut off at 10 kHz -100 dB
Display screen 1 x 15″ daylight-viewable colour screen
Dimensions (H x W x D) 685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4″)
Net weight PRO1 control centre: 21.5 kg
Shipping weight Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg
Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz
Operating temperature range +5°C to +45°C
Storage temperature range -20°C to +60°C
Frequency Response
0 dB Gain
Input Surface I/O
Ouput Surface I/O
20 Hz 0 dB to -1.0 dB
20 kHz 0 dB to -1.0 dB
40 dB Gain
Input Surface I/O
Ouput Surface I/O
20 Hz 0 dB to -1.0 dB
20 kHz 0 dB to -1.0 dB
Gain Error at 1 kHz
0 dB Gain
Input Surface I/O
Output Surface I/O
Maximum +1.0 dB
Minimum -1.0 dB
45 dB Gain
Input Surface I/O
Output Surface I/O
Maximum +1.0 dB
Minimum -1.0 dB
Input CMRR
0 dB Gain
Input Surface I/O
Output Surface I/O
100 Hz 60 dB
1 kHz 60 dB
Input Surface I/O
Output Surface I/O
100 Hz 90 dB
1 kHz 90 dB
45 dB Gain
Distortion at 0 dBu
0 dB Gain
Input Surface I/O
Output Surface I/O
1 kHz 0.01%
10 kHz 0.01%
45 dB Gain
Input Surface I/O
Output Surface I/O
1 kHz 0.03%
10 kHz 0.03%
Distortion at +20 dBu
0 dB Gain
Input Surface I/O
Output Surface I/O
1 kHz 0.03%
10 kHz 0.03%
45 dB Gain
Input Surface I/O
Output Surface I/O
1 kHz 0.03%
10 kHz 0.03%
Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted
12 Inputs
Gain 0 dB
Fader Position -infinity
Pan Central
Output noise -91 dBu
12 Inputs
Gain 0 dB
Fader Position 0 dB
Pan Central
Output noise -78 dBu
24 Inputs
Gain 0 dB
Fader Position -infinity
Pan Central
Output noise -91 dBu
24 Inputs
Gain 0 dB
Fader Position 0 dB
Pan Central
Output noise -75 dBu
48 Inputs
Gain 0 dB
Fader Position -infinity
Pan Central
Output noise -91 dBu
48 Inputs
Gain 0 dB
Fader Position 0 dB
Pan Central
Output noise -72 dBu
Dynamic Range 22 Hz to 22 kHz Unweighted
0 dB Gain
Input Surface I/O
Output Surface I/O
Maximum Output +21 dBu
Dynamic Range 107 dBu
45 dB Gain
Input Surface I/O
Output Surface I/O
Maximum Output +21 dBu
Dynamic Range 102 dBu
PRO1 Control Surface – DSP/Router System Inputs and Outputs
System connectors 6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR
Word clock IN connector BNC
Word clock OUT connector BNC
Video sync IN connector BNC
AES3 sync IN connector 3-pin XLR
AES3 sync OUT connector 3-pin XLR
PRO1 Control Surface – Analogue Audio System Inputs
Connector 3-pin XLR balanced
A/D converter 24-bit, 96 kHz with 128 times oversampling
Talkback connector 3-pin XLR balanced line
Talk connector 3-pin XLR balanced mic with +48 V phantom power
PRO1 Control Surface – Analogue Audio System Outputs
Connector 3-pin XLR balanced
D/A converter 24-bit, 96 kHz with 128 times oversampling
Monitor connector 3-pin XLR balanced line
Talk connector 3-pin XLR balanced line
Headphone connector ¼” Jack (stereo)
PRO1 Control Surface – Digital Audio System Inputs and Outputs
Input connector AES3 (two channels of digital audio) on 3-pin XLR
Sample rates Accepts any frequency 32 kHz – 96 kHz
Bypass Sample rate converter can be bypassed
Output connector AES3 (two channels of digital audio) on 3-pin XLR
Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs
Bypass Sample rate converter can be bypassed
Word length 16, 20 or 24-bit
PRO1 Control Surface – Control Data System Inputs and Outputs
System connector etherCon XLR
PRO1 Control Centre – Miscellaneous Inputs and Outputs
Monitor output connector DVI/DP+
USB host connection USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load
Lamp connector 4-pin XLR
MIDI In, Out and Thru on 5-pin DIN
Footswitch connector ¼” Jack
Analogue Input Characteristics
Surface I/O
Load Z 10 k
Gain -22.5 dB to +65 dB
Maximum Level +24 dBu
Connector XLR
Talk Mic
Load Z 600R
Gain +15 dB to +60 dB
Maximum Level +6 dB
Connector XLR
Monitor
Load Z 10 k
Gain 0 dB
Maximum Level +21 dBu
Connector XLR
Analogue Output Characteristics
Surface I/O
Source Z 50R
Gain 0 dB
Maximum Level +21 dBu
Connector XLR
Talk Out
Source Z 50R
Gain 0 dB
Maximum Level +21 dBu
Connector XLR
Monitor
Source Z 50R
Gain 0 dB
Maximum Level +21 dBu
Connector XLR
Headphones
Source Z 10R
Gain +10 dB
Maximum Level +21 dBu
Connector ¼” Jack
Digital I/O Characteristics
AES3
Channels 2
Data length 24-bit
I/O Input
Description Notes Conforms to AES3-2003
Connector XLR
AES3
Channels 2
Data length 24-bit
I/O Output
Description Notes Conforms to AES3-2003
Connector XLR
AES50
Channels 24
Data length 24-bit
I/O Bidirectional
Description Notes Conforms to AES50 -2011
Connector etherCon XLR
Miscellaneous Digital Characteristics
Word Clock
I/O IN
Description Notes Accepts TTL level, 96 kHz square wave; impedance 75 Ω
Connector BNC
Word Clock
I/O OUT
Description Notes Provides TTL level, 96 kHz square wave
Connector BNC
AES sync
I/O IN
Description Notes Accepts a 96 kHz digital audio signal conforming to AES3-2003
Connector XLR
AES sync
I/O OUT
Description Notes Provides a 96 kHz grade II reference signal conforming to AES3-2003
Connector XLR
Signal Path Noise 22 Hz to 22 kHz Unweighted
0 dB Gain
Input Surface I/O
Output Surface I/O
Output noise -86 dBu
EIN -86 dBu
45 dB Gain
Input Surface I/O
Output Surface I/O
Output noise -81 dBu
EIN -126 dBu

Downloads

ดาวน์โหลด Product Information ดิจิตอลมิกเซอร์ MIDAS PRO 1-TP

ดาวน์โหลด Operator Manual ดิจิตอลมิกเซอร์ MIDAS PRO 1-TP